Concepts, scripts, and shot lists are in the box. But the gold is this: upload your footage and b-roll, and Pro assembles the completed video project. You never open an editor.
Join the Pro waitlistFrom $27/mo at launch. Waitlist members get first access and the founding-member rate.
This is the moment most UGC careers stall. The concept is approved, the deadline is real, and between you and getting paid sits the part nobody warns you about: hours of cuts, captions, pacing, color, and export formats. Per video. Per client.
Even creators who get good at editing eventually try to outsource it, and then the editor disappears mid-project with a brand deadline on the line.
Pro exists so neither of those is your problem.
Your approved pitch becomes a full video concept, a word-for-word script, and a shot-by-shot filming list. Filming day is pure execution.
Shoot on your phone, following the shot list. Upload your clips and b-roll, raw, unedited, straight from camera roll.
Pro combines your script, footage, and b-roll into a completed video project: cut, paced, captioned, and exported for every channel the client needs.
Turns your pitch angle into video concepts mapped to the outcome the business cares about.
Hook-to-CTA scripts in the brand's context, written to be filmed, not read.
Every scene, angle, and b-roll clip planned before you press record.
The gold. Your footage + b-roll + script in, completed video project out. No timeline, no transitions to learn, no weekends lost.
Pro delivery email, file naming, formats per channel, and usage-rights language. You read like a pro on day one.
Everything in the free tool, unlimited, because the next client starts with the next pitch.
| Doing it by hand | With Pro | |
|---|---|---|
| The edit | A weekend per video in CapCut or Premiere | Upload footage, get the finished cut back |
| Quality | "Hope this looks professional enough" | Consistent, client-ready output every time |
| Delivery | Raw files in a Google Drive link | Completed project + pro delivery package |
| Capacity | One client maxes you out | Your time goes to filming and booking the next one |
| Outsourcing risk | Editor gets sick or ghosts mid-deadline | The system doesn't disappear |
Pro is in build. Join the waitlist for first access and the founding-member rate. Cancel anytime once it's live.
Pro is in build. Waitlist members get first access, the founding-member rate, and a say in what ships first.
Pricing announced at launch; the waitlist hears it first. Unsubscribe anytime.
Your filmed clips and b-roll, straight from your phone, shot following the script and shot list Pro generated. No pre-processing, no trimming, no exports.
You can. That's the weekend-per-video plan. Pro turns your raw footage into the finished deliverable so your time goes to filming and booking the next client, not learning transitions.
An editor is a person who can get sick, get busy, or disappear with your brand deadline on the line. The system is always on, and it already knows your script and shot list because it wrote them.
Revisions are part of the workflow, adjust the script or swap clips and reassemble, rather than re-opening a timeline from scratch.
No, but it's the natural front door: the free Pitch Finder gets the brand to yes, and Pro takes it from yes to delivered. Pro includes the Pitch Finder unlimited.
That's the question Pro exists to answer. Get on the list and find out first.
Join the Pro waitlist